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In a gritty and alternate 1985 the glory days of costumed vigilantes have been brought to a close by a government crackdown, but after one of the masked veterans is brutally murdered, an investigation into the killer is initiated. The reunited heroes set out to prevent their own destruction, but in doing so uncover a sinister plot that puts all of humanity in grave danger.
Titolo del film
|
Watchmen |
lacontinuazione |
169 seconds |
Laliberazione |
2009-03-05 |
E Pregio |
AVCHD 1440p
DVDScr |
Categories |
Action, Mystery, Science Fiction |
Il linguaggio |
English |
Castname |
Magen
A.
Lévy, Kiele O. Charly, Keziah Z. Acker |
[HD] Watchmen 2009 Streaming Cineblog01
CortometraggioSpeso : $475,798,794
Entrate : $589,837,850
Categoria : Guerra - ironia pace bontà cervello animale attacco verità felicità esigente Coro , Medicina - Pubblicità , una legge nemici oscuri - Tirannia , Spada - Primavera
Paese di produzione : Estonia
Produzione : 360 Magazine
Watch 维基百科，自由的百科全书 ~ 《Watch》是美國歌手怪奇比莉的首張迷你專輯《不要對我笑》中的一首歌。 它於2017年6月30日發行，是迷你專輯的第三張單曲。 從比莉的角度來看，這首歌是關於不與您想要的人在一起，而對此卻無能為力。
Ticwatch 维基百科，自由的百科全书 ~ Ticwatch是出门问问开发的一款智能手表，于2015年6月3日发布。 Ticwatch能独立运行基于Android开发的Ticwear系统，可安装Android系统的应用，并可与iOS或Android系统的智能手机配对使用。 出门问问目前推出的Ticwatch版本有：Ticwatch皮带版、Ticwatch金属表带版和Ticwatch 缎金。
斯沃琪 維基百科，自由的百科全書 ~ 斯沃琪（Swatch）這個名字經常被誤解為是「瑞士（Swiss）」和「手錶（Watch）」兩個單詞的縮寫。但是，斯沃琪集團的主席，尼古拉·海耶克確認，最初斯沃琪這個縮寫代表的是「第二隻手錶（Second Watch）」，由包括休閒，娛樂及附件所代表的新的手錶理念所引入的新一代手錶。
手錶品牌列表 維基百科，自由的百科全書 ~ 本頁面最後修訂於2020年2月18日 星期二 1836。 本站的全部文字在共享創意 姓名標示相同方式分享 30協議 之條款下提供，附加條款亦可能應用。 （請參閱使用條款） Wikipedia®和維基百科標誌是維基媒體基金會的註冊商標；維基™是維基媒體基金會的商標。 維基媒體基金會是按美國國內稅收法501c
看門狗計時器 維基百科，自由的百科全書 ~ 看門狗計時器（英語： watchdog timer ）是一種電腦 硬體式的計時裝置，當系統的主程式發生某些錯誤事件時，如假死機或未定時的清除看門狗計時器的內含計時值（多半是向對計時器發送清除訊號），這時看門狗計時器就會對系統發出重設、重新啟動或關閉的訊號，使系統從懸停狀態回復到正常運作
守護者 電影 維基百科，自由的百科全書 ~ 劇情 故事處於一個架空歷史的時代，1930年代至40年代的美國有群面具變裝英雄，自治成立打擊罪犯的義勇軍團（Minutemen）。 時間流逝，組織的興盛與衰落，超級英雄的第二代隨之組成新團隊，稱之為「守護者（Watchmen）」。
斯沃琪集團 維基百科，自由的百科全書 ~ 斯沃琪集團（Swatch Group Ltd），又譯為史華曲集團，瑞士公司，是目前全球最大的鐘錶製造商，擁有數個著名的鐘錶品牌，例如Swatch、寶璣、寶珀、歐米茄、浪琴錶、天梭、雷達錶。 1983年，為應對石英危機（quartz crisis），瑞士最大的兩家制表集團ASUAG 與 SSIH合併組成史華曲的前身。
情慾對決 維基百科，自由的百科全書 ~ 本頁面最後修訂於2020年2月11日 星期二 1240。 本站的全部文字在創用CC 姓名標示相同方式分享 30協議 之條款下提供，附加條款亦可能應用。 （請參閱使用條款） Wikipedia®和維基百科標誌是維基媒體基金會的註冊商標；維基™是維基媒體基金會的商標。 維基媒體基金會是按美國國內稅收法501c3
團防局 維基百科，自由的百科全書 ~ 團防局（英文： District Watch Force ）於1866年成立，至1941年香港淪陷結束，是香港一個曾經存在的治安 組織，受到總登記官〈今民政事務局〉的監察。 團防局以華人為主，目標是為了彌補香港警察隊的警察力量不足 。 歷史 團防局成立初期，負責於中環和上環周邊的更練事務，及於周邊巡邏。
海灘救護隊 電影 維基百科，自由的百科全書 ~ 劇情 故事敘述在陽光普照的迷人的海灘上，一名經驗豐富的老牌救生員與另一名魯莽的青年救生員針鋒相對，但如今兩人必須放棄競爭，以阻止某種犯罪人士威脅到他們的海灘。
The comic book geek blockbuster for adults only.
Watchmen is directed by Zack Snyder and adapted to screenplay by David Hayter and Alex Tse from the Alan Moore/David Gibbons graphic novel. It stars Patrick Wilson, Malin Ackerman, Billy Crudup, Jackie Earle Haley, Jeffrey Dean Morgan, Carla Gugino and Matt Frewer. Music is by Tyler Bates and cinematography by Larry Fong.
1985 and someone is killing all our superheroes. Time for the remaining super heroes to band together - but what they find as they fight the good fight is potential annihilation for everyone.
It was quite a battle getting Watchmen onto the screen, over twenty years of legal wrangling and controversies, it got to the point where fans of the source material doubted it would ever happen - and even if it did it was sure to be a monstrous failure. How pleasing to find that not only did it make it to the screen, but it is also a genre bending winner - well to some of us of course...
One has to take into context just how potent and original the graphic novel was back in 1986/7, we are dealing with very mature themes, superheroes with serious psychological baggage. Alan Moore lit the touch paper in the comic book kingdom that the rest have since followed to keep the torch burning well into the new millennium. Snyder has achieved top line results in getting both the feel and look of the source, even if some of Moore's cunning cynicism has been lost in translation.
Story is set right in the middle of nuclear paranoia and the fear of the Soviets in 85, the America we view is dank and depressing, noirish in vibe (aided by Rorschach's clobber and detective inclinations), it's a world on the road to nowhere. We are also at a time in the alternate world where superheroes are banned from operating, forcing The Watchmen to become vigilantes - that is if they can get along and shunt their psycho discord to one side. The back stories of the main protagonists are fully formed, and these are not jolly characters, so much so you worry the fate of mankind is doomed if these are who we rely on to save us.
There was in no way that Snyder would be able to produce a comic book filmic adaptation that would be as worshipped in that sphere, to rival that of the worship the novel has in its own. However, coming at it as someone who only sought out the source material after seeing the film, it shines bright for newcomers who are ironically seeking darker tints in superhero tales. Oh it has the requisite nifty twists (a clinical mystery to be unearthed), booming visuals, excellent effects work and smartly constructed action set-pieces, but narratively it's moody and calls for the utmost attention on dialogue passages (I have found it gets better on repeat viewings).
Snyder clearly cared about the project and that love is evident in the movie. It was never going to appease all and sundry, but at worst to hardcore Moore fans it's at least an honourable failure, to many others it's a smart and stylishly refreshing genre booster. 8/10
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First of all, this review is based on the theatrical version of Watchmen. Usually, Director's Cuts or Ultimate Editions are not preferred over the original release. Few films benefit from them, and most are simply an extended cut with a bunch of deleted scenes. It's only fair and rational that a reviewer watches the version which the whole world saw at the theaters at the respective time. With that said, despite knowing the story of the source material, I never indeed read it. Having in mind that most of the "hate" that this Zack Snyder's movie received is from comic-book purists (basically, every book/comic/game/whatever-lover who defends that any cinematic adaptations of any of these sources MUST be 100% the same, with no modifications whatsoever), I'm certain an unbiased perspective is the way to go.
And overall, this is a good feature. Watchmen isn't just another CBM (comic-book movie). It doesn't just follow one hero vs. one villain. It's a whole world (in today's standards, it's really a cinematic universe) of "superheroes" meant to be explored in fine detail (hence the release of a TV show today... reviewing that later). It's an extremely complex world that needs to be thoroughly explained in order to deeply understand how it works, and what's everyone's role in it. This is the film's main problem: it struggles to juggle all of its different storylines and distinct characters. Even with 163min of runtime, it's impossible to squeeze in all of the necessary information.
So, as expected, Snyder and his team of screenwriters had to simplify, shorten, or even wholly dismiss some story elements that would only stretch the runtime to an unfathomable length. Some of the adaptations work brilliantly, but some fail to give a character its importance or offer no interest to a subplot. However, it's still easy to understand everything, and how the ending is going to unravel, which leads me to my second issue with the movie: its final act's heavy exposition.
Like I wrote above, there is a lot of information to deliver. What Snyder did very well was to tell most of it through flashbacks or captivating conversations, but in the final act, where everything was self-explanatory and in no need of more exposition, there is an excess of redundant dialogue that doesn't really add anything relevant. What the characters are saying is significant, yes, but we, as the audience, already know all of that way before the film's climax. It's ironic how they make a joke about villains telling their masterplan to the hero and how this villain isn't dumb enough to do it, but then proceed to carefully explain everything (that we know already) through exposition.
Sincerely, these are the major problems that I have with the movie. However, I love so much about everything else. From the appropriated and fun soundtracks to the beautiful production design, Zack Snyder and his crew really do a fantastic work technically. Snyder's style captures Watchmen's world perfectly. It's one of those films that carry a "feel" due to its stylish cinematography. I love how little CGI is actually applied (I'm obviously ignoring the big blue guy), and the abundance of practical effects and real sets that are used. The action sequences look spectacular, way better than a lot of blockbusters nowadays (10 years later!).
Despite the terrific technical achievements, my main compliment is actually connected to my number one problem. Even though the storylines are incredibly hard to balance, characters like Rorschach, Nite Owl, Silk Spectre, and The Comedian (Jeffrey Dean Morgan) have extraordinarily captivating and entertaining stories. There might be a few missteps here and there, but Snyder made ONE movie from a material that's worth a whole TV show or at least two films. And he delivered a GOOD one! Probably a better job than 80% of the directors working today could ever achieve. Finally, the social commentary is still quite relevant for this new generation, and if the so-called "source-material-purists" didn't exist, this movie would be a lot more appreciated.
All in all, Watchmen is as good as it could be, having in mind it's just one film with already a long runtime. Its narrative was always going to be extremely difficult to tell in a solid yet compelling manner, and Zack Snyder does struggle with balancing all of the storylines and its characters. However, he and his phenomenal team still delivered a good flick. Technically sublime, with a distinct style, brilliant production design, and gorgeous cinematography. Characters like Rorschach and Nite Owl have amazing moments, filled with excellent action sequences, but also with emotionally powerful scenes. If it could be better? Maybe. If it could be split into two or three movies. As it stands, as one and only film, it's really impressive even with its flaws.
Rating: B
As humans, we are drawn to what inspires us, interests us, and tickles our fancy. Human opinion can be a fickle thing, especially when it comes to film, books, and music, due to this the message that is interwoven through these mediums are missed by all of us simply because we won't take the time to watch, read or listen to what is being said to us.
The message throughout Watchman and Tales of The Black Freighter in film and more importantly in graphic novel form is that we as humans try so hard to make the world a better place, but being pushed so far while trying to rid the world of evil we become the very thing we're fighting against, sometimes this a fact we do not see, or we do when it's too late. When Alan Moore wrote the story for the graphic novel, he did so at the height of this planet's greatest threat of nuclear annihilation; The Cold War, The U.S. and Russia at a stalemate over nuclear arms, and Russia's invasion of Afghanistan, had meant that at any moment millions of people on this planet could have met a brutal end.
As far as the story goes, this is a concept that has been warped, and manipulated into a alternate universe where in 1985 Richard Nixon has changed the constitution of the USA and made it allowable for him to serve more than 2 terms of Presidency, it's also a universe where in the times after WWII ordinary citizens decided that crime and corruption throughout America, and especially New York had gotten to levels beyond the control of authorities that they would suit up as masked vigilantes, and fight crime head on. By 1985 masked heroes are outlawed, and former "heroes" were forced to reveal themselves, or stay hidden, but give up their lifestyle.
The story of the most part is told through the eyes of one character Rorschach (Haley) as he investigates the murder of a fellow vigilante, The Comedian (Morgan). Rorschach is the only vigilante who has not given up the lifestyle, and is wanted by the F.B.I. Rorschach tries to re-engage the remaining "heroes" to help him find the murderer, and get to the heart of why he was murdered. The other "heroes" are Night Owl II (Wilson); an aging recluse who inherited a fortune from his father and used it to engage in vigilante activities, Silk Spectre II (Ackerman); daughter of an original Minutewoman (Cugino), Ozymandias (Goode), a self made millionaire who has modeled himself and his life on Alexander the Great, and Dr. Manhattan (Crudup), the only real superhero due an accident in a atomic chamber in a lab when he was a physicist.
The film follows pretty closely the themes and tone of the book, much more than any comic related movie before it, thanks mostly to the dedication of director Zack Snyder. The look and feel of the film to date it in 1985 was very well handled, and can certainly be called a period piece due to the level of exact detail through-out. Performances are in general pretty well done, and reflect the emotions of the characters in the book, as this is the Ultimate Cut, the extended scenes, plus the interwoven story of the comic book within a comic book; "Tales of The Black Freighter" make for a film that is worthy of its 215 minute length. Having said that they leave well and truly enough of the story in the theatrical cut where the message still shines through.
The credits for this film are the best I have ever seen, using the Bob Dylan song "The Times They Are A-Changing", and features snapshots of the highs and lows of the Minutemen and Watchmen from the 1940's through to the 1980's against the backdrop of important cultural and political icons and events.
This movie is easily one of my favourites of the modern age of film, because of the well delivered message, and the uncompromised approach to bring the graphic novel to life.
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