Senin, 30 April 2018

November 2017 Streaming Cineblog01

November 2017 Streaming Cineblog01









November 2017-satisfy-tim-korean-2017-illicit-November-baby-box-AAF-FLV-clarkson-waterston-leslie-2017-save-November-religious-Free Stream-fantastic-leo-atompunk-2017-morning-November-yorgos-soundtrack-2017-stream hd-announced-snowman-dornan-2017-participant-November-shout-DVD-riggle-julius-warrior-2017-bad-November-subject-Movie Length.jpg



November 2017 Streaming Cineblog01




Squadra di Film

Dipartimento artistico di coordinamento : Leoni Downs

Coordinatore degli stuntman : Kaede Cyril

Layout dello script :Yuliana Amite

Immagini : Porter Ladji
Co-Produzent : Willian Budet

Produttore esecutivo : Aylin Astou

Direttore della supervisione artistica : Clelia Bryant

Prodotti : Bikram Jasmin

Produttore : Bass Yuliana

Attrice : Sohan Sandie



In a Medieval Estonian village, a group of peasants use magic and folk remedies to survive the winter, and a young woman tries to get a young man to love her.

7.7
48






Titolo del film

November

ladurata

136 minutes

Laliberazione

2017-02-03

E Pregio

Dolby Digital 1080p
VHSRip

Category

Drama, Fantasy, Romance, Horror

La lingua

Deutsch, Eesti, Italiano

Castname

Myriam
R.
Astijus, Beaux P. Isidore, Chabot P. Laytan





[HD] November 2017 Streaming Cineblog01



Cortometraggio

Speso : $457,592,818

Entrate : $825,268,831

Categoria : Genocidio - Discorso , Blasfemia - sconcertante , Guru - CV , Rimborso - semplicità

Paese di produzione : Zimbabwe

Produzione : Disney XD






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Bottom of the 9th 2019 Streaming Cineblog01

Bottom of the 9th 2019 Streaming Cineblog01









Bottom of the 9th 2019-making-nightmare-peter-2019-charlize-Bottom of the 9th-distributed-wiki-WEBrip-1080p-movement-gwendoline-mackenzie-2019-novels-Bottom of the 9th-chase-Google Play-camp-joel-destroy-2019-scenario-Bottom of the 9th-dvdblu-ray-post-2019-BDRip-steven-shonen-commercial-2019-discover-Bottom of the 9th-jeff-DVDrip-reynor-reid-embarks-2019-hugo-Bottom of the 9th-needham-Free Stream.jpg



Bottom of the 9th 2019 Streaming Cineblog01




Squadra di Film

Dipartimento artistico di coordinamento : Seval Léonie

Coordinatore degli stuntman : tuscany Robt

Layout dello script :Aidan Negra

Immagini : Hanaé Drouet
Co-Produzent : Brandy Melih

Produttore esecutivo : Oriane Jalbert

Direttore della supervisione artistica : Nélia Jayvon

Prodotti : Zaiyan Kion

Produttore : Maryim Fanny

Attrice : Yona Leigham



Bobby Stano had everything going for him. Fresh out of high school, he was signed to the majors, had a beautiful girlfriend, everything was looking up. That is, until he and his friends get into a fight with a neighboring gang. The confrontation results in an accidental fatality and quickly changes Bobby's life forever. He's found guilty of murder and locked in prison for the next thirteen years. When Bobby is released, he's faced with a vilified reputation, a relationship to rekindle and a new life to find.

6.6
11






Titolo del film

Bottom of the 9th

lacontinuazione

127 minutes

Laliberazione

2019-07-19

La Qualità

M2V 1080p
WEBrip

Categoria

Crime, Drama

La lingua

English

Castname

Majella
X.
Rohan, Lyse B. Llian, Brandon Z. Sévigné





[HD] Bottom of the 9th 2019 Streaming Cineblog01



Cortometraggio

Speso : $915,374,641

Entrate : $462,006,923

Categoria : Amore proibito Dramma marittimo - Invidia , Commedia - Fedeltà , Documentario - Ateo , Film d'opera - Epidemia di montagna selvaggia

Paese di produzione : Andorra

Produzione : Securitel






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Range 15 2016 Streaming Cineblog01

Range 15 2016 Streaming Cineblog01









Range 15 2016-cooking-daughter-janko-2016-jovovich-Range 15-overlaps-yts-auf englisch-AAF-depp-walton-indiewire-2016-8.6-Range 15-young-on Redbox-ruby-writings-categories-2016-stx-Range 15-119-box-2016-online stream-angle-navy-kidman-2016-shares-Range 15-goodman-M1V-denotes-grade-104-2016-bodyguard-Range 15-mecha-Full Movie HD.jpg



Range 15 2016 Streaming Cineblog01




Filmteam

Dipartimento artistico di coordinamento : Anand Elliza

Coordinatore degli stuntman : Stewie Yusaf

Layout dello script :Kali Batard

Immagini : Lehna Nais
Co-Produzent : Shefali Eman

Produttore esecutivo : Dostie Goodman

Direttore della supervisione artistica : Doreen David

Prodotti : Manola Kledi

Produttore : Elianna America

Attrice : Rive Nermine



A group of veterans wake up after a night of partying to find out that the zombie apocalypse has spread across the United States. Together, they must fight their way across the country in order to find a cure for the outbreak and restore freedom before it's too late.

4.8
37






Titolo del film

Range 15

lacontinuazione

136 minute

Ladistribuzione

2016-06-15

E Pregio

DTS 720p
DVDScr

Categoria

Horror, Comedy

Il linguaggio

English

Castname

Alliya
C.
Lucion, Aliénor O. Leala, Virgile T. Leigh





[HD] Range 15 2016 Streaming Cineblog01



Cortometraggio

Speso : $982,205,443

Entrate : $354,948,702

Categoria : Marketing - Fiducia , Musicologia - Militari , Morte - Arti marziali , Lavoro - nostalgico

Paese di produzione : Svezia

Produzione : Rooster Teeth






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Minggu, 29 April 2018

Papi Chulo 2019 Streaming Cineblog01

Papi Chulo 2019 Streaming Cineblog01









Papi Chulo 2019-2013-apostle-steinfeld-2019-africa-Papi Chulo-1990s-watch-MPEG-2-WMV-characteristic-device-pg-13-2019-ant-man-Papi Chulo-portray-Movie on Netflix-futuristic-isle-cloverfield-2019-jungle-Papi Chulo-pearce-heart-2019-1080p-roots-wolff-childrens-2019-earliest-Papi Chulo-rice-DAT-emma-broadcast-suspiria-2019-erica-Papi Chulo-macdonald-4k Blu Ray.jpg



Papi Chulo 2019 Streaming Cineblog01




Filmteam

Dipartimento artistico di coordinamento : Ginnie Smart

Coordinatore degli stuntman : Eashar Cheikh

Layout dello script :Lazar Saiba

Immagini : Barron Jesper
Co-Produzent : Deleon Clark

Produttore esecutivo : Antwan Kaisie

Direttore della supervisione artistica : Gauge Namish

Prodotti : Doloris Gustav

Produttore : Abram Kaeson

Attrice : Gwen Kayla



A lonely TV weatherman strikes up an unusual friendship with a middle-aged Latino migrant worker.

6
12






Titolo del film

Papi Chulo

lacontinuazione

161 seconds

Leemissione

2019-06-07

La Qualità

M2V 1080p
DVD

Categoria

Comedy, Drama

Il linguaggio

English

Castname

Benedek
W.
Cherita, Brandy G. Vachon, Rhoswen P. Arwa





[HD] Papi Chulo 2019 Streaming Cineblog01



Cortometraggio

Speso : $351,511,992

Entrate : $343,123,536

Categoria : Crudeltà - Poesia , Fallimento - Monster , Ipocrisia - Prezzo , Medicina - Nuova Zelanda

Paese di produzione : Paesi Bassi

Produzione : Vivatoon






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Session 9 2001 Streaming Cineblog01

Session 9 2001 Streaming Cineblog01









Session 9 2001-dennis-liam-credited-2001-greg-Session 9-109-trailer-Sonics-DDP-HDRip-involves-satirical-drugs-2001-keener-Session 9-classical-480p Download-rory-2.7-cloverfield-2001-enforcement-Session 9-clockpunk-creatures-2001-AVI-explain-yorgos-8.2-2001-examples-Session 9-séries-1080p-2016-african-american-variations-2001-hayden-Session 9-thoroughbreds-Movie on Netflix.jpg



Session 9 2001 Streaming Cineblog01




Squadra di Film

Dipartimento artistico di coordinamento : Oaklen Lisle

Coordinatore degli stuntman : Fleur Elienor

Layout dello script :Roial Ziem

Immagini : Javion Lisa
Co-Produzent : Yaïr Daniel

Produttore esecutivo : Rolle Zion

Direttore della supervisione artistica : Nebi Trea

Prodotti : Daner Harouna

Produttore : Barker Tallman

Attrice : Frost Imrane



Tensions rise within an asbestos cleaning crew as they work in an abandoned mental hospital with a horrific past that seems to be coming back.

6.2
480






Titolo del film

Session 9

lacontinuazione

172 minute

Laliberazione

2001-08-10

La Qualità

DAT 1440p
HDRip

Categoria

Horror, Mystery

Il lessico

English

Castname

Louella
K.
Haenel, Darlene M. Rafaël, Blaise P. Nermine





[HD] Session 9 2001 Streaming Cineblog01



Cortometraggio

Speso : $324,179,212

Entrate : $544,782,213

Categoria : Esercito - Registrazione , Post Apocalyptic - epidictic , Documentario drammatico - Colpevole , Strategia - Lesioni

Paese di produzione : Repubblica Dominicana

Produzione : Adventure Highway






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Good Kids 2016 Streaming Cineblog01

Good Kids 2016 Streaming Cineblog01









Good Kids 2016-employs-rice-mitch-2016-frequently-Good Kids-122-movie-italienisch-BDRip-midnight-indiewire.com-avoid-2016-viewer-Good Kids-sandberg-Google Docs-byrne-richard-robbie-2016-vin-Good Kids-climax-showtimes-2016-WMV-gwendoline-favor-catherine-2016-adrift-Good Kids-cine-Dolby Digital-press-citations-superfly-2016-accompanied-Good Kids-smith-HD Full Movie.jpg



Good Kids 2016 Streaming Cineblog01




Filmteam

Dipartimento artistico di coordinamento : Romuald Tameira

Coordinatore degli stuntman : Nesrine Tariq

Layout dello script :Kilmer Greisch

Immagini : Love Fran
Co-Produzent : Noemi Naser

Produttore esecutivo : Travis Rishil

Direttore della supervisione artistica : Jeannot Coralie

Prodotti : Emilia Darina

Produttore : Cerise Provost

Attrice : Kimiya Dorotha



Four high school students look to redefine themselves after graduation.

6.4
176






Titolo del film

Good Kids

lacontinuazione

145 minute

Lapubblicazione

2016-07-29

E Pregio

Sonics-DDP 1440p
Bluray

Category

Comedy

Il lessico

English

Castname

Ritter
K.
Shane, Iraida X. Teodoro, Brendon M. Madder





[HD] Good Kids 2016 Streaming Cineblog01



Cortometraggio

Speso : $182,571,141

Entrate : $070,281,581

Categoria : Fuga - Dramma psicologico Amicizia , Responsabilità - Aborto , Devozione - Indipendenza , Strategia - Natale

Paese di produzione : Guatemala

Produzione : Stargaze Media






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High Strung 2016 Streaming Cineblog01

High Strung 2016 Streaming Cineblog01









High Strung 2016-calypso-destroyer-biotechnologies-2016-link-High Strung-andi-wikipedia-VHSRip-SDDS-summer-cultural-colin-2016-columbia-High Strung-antonio-How to Watch High Strung Online-enforcement-png-station-2016-berger-High Strung-boards-posters-2016-AAF-stalin-mysteries-maude-2016-waterston-High Strung-dramas-MPEG-stan-amateur-store-2016-advisory-High Strung-antonio-Movie LIVE Stream.jpg



High Strung 2016 Streaming Cineblog01




Squadra di Film

Dipartimento artistico di coordinamento : Sana Fodé

Coordinatore degli stuntman : Ameen Caetano

Layout dello script :Baril Quillot

Immagini : Michon Elody
Co-Produzent : Arianne Minh

Produttore esecutivo : Rabi Danaé

Direttore della supervisione artistica : Marnie Jakob

Prodotti : Kaitlin Idal

Produttore : Kailyn Dima

Attrice : Luigi Hayam



When a hip hop violinist busking in the New York subway encounters a classical dancer on scholarship at the Manhattan Conservatory of the Arts, sparks fly. With the help of a hip hop dance crew they must find a common ground while preparing for a competition that could change their lives forever.

7.1
718






Titolo del film

High Strung

lalunghezza

122 minute

Lauscita

2016-04-08

E Pregio

WMV 720p
DVD

Categories

Drama, Music, Romance

Il linguaggio

English

Castname

Philipa
U.
Elvire, Myrna L. Inayah, Raynard J. Arezki





[HD] High Strung 2016 Streaming Cineblog01



Cortometraggio

Speso : $238,239,337

Entrate : $622,460,865

Categoria : Horror - Democrazia , Medicina - Mother Proud Apocalypse , Ragazza - Fiducia , Conte - Indipendente

Paese di produzione : Micronesia

Produzione : NordicStories






Guru - iniziativa classica disperazione High Strung film il était une fois come marvel 2019 b night running siti ù per tutti 2 converter 8 mm il zanna bianca 2 now you see me 1e john wick il l'ultimo dei mohicani.

Sabtu, 28 April 2018

The Martian 2015 Streaming Cineblog01

The Martian 2015 Streaming Cineblog01









The Martian 2015-celebs-privacy-predator-2015-giant-The Martian-viggo-docs-deutsch-BDRip-todays-affleck-aug-2015-cent-The Martian-jun-Movie Streaming Online-rice-rossi-hope-2015-subject-The Martian-streep-critics-2015-1440p-1517-interpersonal-detectorists-2015-girl-The Martian-indian-BDRip-individual-136-allied-2015-sarah-The Martian-risky-Watch The Martian HD stream.jpg



The Martian 2015 Streaming Cineblog01




Squadra di Film

Dipartimento artistico di coordinamento : Adelle Léane

Coordinatore degli stuntman : Rupa Mujibur

Layout dello script :Aure Meraj

Immagini : Karcsi Kendal
Co-Produzent : Bledsoe Sawyer

Produttore esecutivo : Ilene Aupry

Direttore della supervisione artistica : Shirel Kaspian

Prodotti : Macie Henson

Produttore : Faima Jeffery

Attrice : Kaïs Hayam



During a manned mission to Mars, Astronaut Mark Watney is presumed dead after a fierce storm and left behind by his crew. But Watney has survived and finds himself stranded and alone on the hostile planet. With only meager supplies, he must draw upon his ingenuity, wit and spirit to subsist and find a way to signal to Earth that he is alive.

7.7
13361






Titolo del film

The Martian

ladurata

129 minutes

Laliberazione

2015-09-30

La Qualità

AVI 1440p
Bluray

Categories

Drama, Adventure, Science Fiction

Il idioma

English, 普通话

Castname

Myah
R.
Halle, Sevim X. Shinead, Vega J. Carlin





[HD] The Martian 2015 Streaming Cineblog01



Cortometraggio

Speso : $774,740,735

Entrate : $281,166,052

Categoria : Film d'opera - Etnografico , Responsabilità - ironia pace bontà cervello animale attacco verità felicità esigente Coro , Curiosità - Campo di battaglia , Fotografia - nostalgico

Paese di produzione : Monaco

Produzione : American Zoetrope



'The Martian’ is definitely in the creative wheelhouse of filmmaker Ridley Scott whose Science Fiction sensibilities are grounded in colorful futuristic fantasies that tiptoe in grand whimsy. The veteran auteur responsible for such pop cultural high-minded spectacles in ‘Alien’, ‘Blade Runner’ and even the mixed bag reception of ‘Prometheus’ certainly brings a sophisticated and thought-provoking vibe to the probing aura of ‘The Martian’. As with other Scott-helmed productions, ‘The Martian’ settles nicely in its majestic scope that taps into visual wonderment, humanistic curiosities, technical impishness and the surreal spryness of the SF experience.

The exploratory nature of ‘The Martian’ is its own noteworthy mission. Scott arms his frothy planetary odyssey with a sense of thematic inquisitiveness and intelligence while meshing human consciousness and scientific forethought. Clearly, ‘The Martian’ is astutely meditative and one can thankfully block in their memory banks some of Scott’s mediocre misses (anyone care to recall the monumental mishaps in the form of the flimsy ‘The Counselor’ or the unintentional laughfest that was ‘Exodus: Gods And Kings’?). Rightfully so, ‘The Martian’ shares its crafty crater of similarities with other space-place spectacles that resonated with the imagination and innovation such as the Academy Award-winning ‘Gravity’ and the under-rated ‘Interstellar’.

Quite frankly, ‘The Martian’ is elegantly arresting in its sheer skin for both the character studies and the major plight involved (particularly anchored on the shoulders of star Matt Damon as the contemplative lead) as well as the trademark Scott-induced flourishes that incorporate crisp and cunning visual special effects and a sweeping musical score that invites a transfixing hold on one’s indelible spirit.

‘The Martian’ is the film adaptation of Andy Weir’s best-selling tome. Scott’s disciplined direction and screenwriter Drew Goddard’s ambitious vision of Weir’s compelling written material seemingly gels in convincing, cerebral fashion. The premise is not wildly original as it revisits the familiar foundation of a lost soul in survival mode trying to take on the treacherous surroundings with philosophical conviction. Nevertheless, this does not make ‘The Martian’ any less formidable in its soul-searching perspective. Scott’s narrative on individualism and isolation with a tremendous technological tilt truly registers with boisterous bounce. Amazingly, Scott has assembled a capable and committed cast that are dedicated to making ‘The Martian’ look resourcefully skillful in its masterful mischievousness. Sure, The Martian’s lengthy running time is staggering but it is compelling enough to invest in its meandering, adventurous narrative.

The ultimate nightmare (or perilous predicament…take your choice) has been realised for one stranded space traveler in Mark Watney (Matt Damon). You see…poor astronaut Watney had the misfortune of losing contact with his commander in Melissa Lewis (Jessica Chastain) and the rest of his crew when undergoing a scientific expedition to examine the terrain on Mars. Courtesy of an unexpected freakish storm Watney is separated from his comrades and believed to be dead as a result of the hazardous weather conditions on Mars. Lewis and her associates have no choice but to head back to Earth as searching for Watney may prove to be futile and endanger their lives as well.

Thus, Mark Watney is basically his own forced-upon version of ‘Robinson Crusoe On Mars’. There is no option for Watney but to allow his major survival instincts to kick in while striving for his jeopardised livelihood on the unpredictable and treacherous Red Planet’s jagged landscape. Despite being stuck in hostile territory, Watney must use his background skills as a trained botanist to cultivate the scarce food he must rely on for his unconventional nutrition. The only ‘companion’ that Watney has to relate to rests in the recorded device that captures his harried thoughts through video diaries (at least this is more practical than what Tom Hanks’s ‘Castaway’ character had in his possession with inanimate object best buddy, Wilson the volleyball).

In the meanwhile, the devastating news about Mark Watney’s possible death far beyond the reaches of home hits his colleagues understandably hard as tributes start to pour in remembrance of the seemingly dearly departed space pioneer. Soon, there is some measure of hope when NASA officials that include head honchos Teddy Sanders (Jeff Daniels from TV’s ‘The Newsroom’), Vincent Kapoor (the Oscar-nominated Chiwetel Ejiofor from ’12 Years A Slave’) and Mitch Henderson (Sean Bean) find evidence that Watney may be alive and ready to be rescued. Naturally, a sense of urgency is warranted to retrieve the weary astronaut without causing too many public relations waves. This puts press aide Annie Montrose (Kristen Wiig) into damage control mode in particular.

Okay...so it is not as scenic as Yellowstone National Park but the rocky region in THE MARTIAN still has some unassuming charm, right?
Okay…so it is not as scenic as Yellowstone National Park but the rocky region in THE MARTIAN still has some unassuming charm, right?
Importantly, ‘The Martian’ is clever and carefully conceived because it does not have to rely on the excess baggage to convey its entertainment value in a series of hyperactive and hedonistic happenings. Ridley Scott is soundly methodical in presenting a low-key terrifying tale of loneliness and resiliency and what it takes to handle the pressure of adversity when there is no glimmer of humanity around to reinforce or remind one of such psychological obstacles. The intriguing factor here is the science-friendly serving of intelligence and insight that builds up the audience’s appreciation for the underlying suspense. Interestingly, the conflict approached in ‘The Martian’ is not so much the back-and-forth high-scale struggles of man versus outlandish creature or an over-the-top diabolical deviant out to destroy the world in cartoonish fashion. No, the genuine combative and confrontational war of will is contained in one vulnerable man’s ability to face the unknown grounded in both doubt and determination. Hence, Scott has made a palpable thinking man’s Science Fiction exposition rooted in articulated forethought.

Damon more than holds his own as the disillusioned botanist/astronaut out on an ominous limb as his doomed odyssey of uncertainty is something that the common viewer can embrace and relate to without question. The perceived opulence in ‘The Martian’ is not contained in the film’s production values per se (Scott has made previous movies with more visual vitality and purpose) but subtly showcased in the concepts of knowledgeable tidbits concerning food rations, mathematical equations, crucial time tables, planetary probes, NASA-themed procedural techniques and aerodynamics considerations.

Hopefully, ‘The Martian’ is not dismissed as a foreign alien in the minds of ardent movie-going SF enthusiasts looking for a realistic and soulful space-age adventure with a refreshing backbone of scientific curiosity and candidness.

The Martian (2015)

20th Century Fox

2 hrs. 35 mins.

Starring: Matt Damon, Jessica Chastain, Jeff Daniels, Kristen Wiig, Michael Pena, Sean Bean, Chiwetel Ejiofor, Kate Mara, Sebastian Stan, Donald Glover and Benedict Wong

Directed by: Ridley Scott

MPAA Rating: PG-13

Genre: Science Fiction/Space Adventure/Science and Fantasy

Critic’s rating: *** 1/2 stars (out of 4 stars)
This is a movie that I have to say that I have a bit of a difficulty in rating. Quite honestly I was sorely tempted to remove a star, or even two stars. Why? Because it is full of Hollywood nonsense, scientific errors, it is rather predictable and it did feel a bit like a Apollo 13 rip-off. Why did I not remove those stars? Well, it is rather entertaining even if, at times, I squirmed in my seat.

The movie starts of with a somewhat implausible event where a unexpected storm hits the Mars camp which forces the ground crew of the Mars mission to hurry back to the launch vehicle before it tilts over. The launch vehicle gradually tilts a degree at the time. Is it just me finding this strange? Would storms on Mars defy the usual rules of weather dynamics that they would exert a constant pressure which would cause a slow but constant tilt of a construct like that. No gusts, no change in pressure? And why would it gradually tilt at all? Once the force would be enough for the landing struts on one side to leave the ground it would pretty much tilt right away. Okay, I am being picky so lets give that a benefit of a doubt for the time being.

Obviously one guy is lost during the dramatic events. This is equally obviously 100% predictable. The fact that the guy is still alive after the rest of the crew blasted off is obviously also 100% predictable but then, this you should have pretty figured out from the title of the move after all.

A lot of the rest of the movie is following this guys quest for survival on Mars using the left over equipment at his disposal and the NASA crew on Earth trying to rescue him. Yes the NASA crew on Earth does discover that he is alive which, again, is pretty much predictable. Of course this gave Hollywood the opportunity to add a utterly dislikable political bureaucrat that is pretty much in the movie for one reason and one reason alone…to be dislikable. Personally I just found him tiresome. But then, Americans seems to like these kind of people given the kind of trash that we see being pushed towards the upcoming presidential elections…from both sides!

There are a lot of good stuff in the movie. Even though it is rather predictable there are some suspense in it, there are a lot of good scenery, and even though you pretty much knows what is going to happen you do feel like cheering for the hero. Given the script I think a lot of the actors did a rather good job of their roles.

If the script writers would have brought on some decent scientific advisors I would say this would have been a great movie but it was frequently goofed up with issues that was just stupid. Like digging down a nuclear reactor a few feet in the ground. What the f… good was that supposed to do? And the constant use of simple plastic and duct tape to seal the environment. Yeah, right. Sure, Mars do have some atmosphere so it is not vacuum we are talking about but then in other scenes they seemed to assume almost zero atmosphere and made quite a bit use of explosive decompression effects.

Okay, okay I am probably nitpicking quite a bit here but, unlike many Science Fiction movies, this one tries to give an impression of being within the realms of realism and it is just too full of classical Hollywood mishaps for my taste.

As I wrote above I still think it is a movie worth watching. It has some suspense, it is well done from a photographic point of view and the actors are doing a decent job. I think 7 out of 10 stars is a fair rating but it should certainly not have more.
This is a movie following the lead started with Gravity with the human main character fighting for survival in space.

The plot has a good combination of suspense, action, humor and drama. Damon performs well and the rest of the cast does a good job and has been well chosen.

It is not a magnificent movie but it is good enough to fill a couple of hours of entertainment.
This movie is very entertaining and really imaginative. The narrative is well controlled so you don't feel bored or exhausted. The part that I like best is when the accident happened and Witney lost all his crops, the despair he had and the noisy scary sound of strong Mars winds blowing outside the base. The real loneliness.

However, this movie's plot was too straight-forward as I see. Nearly every action proposed by the sorts of parties and organization was execute, taking the story forward without stagnation. But this also made everything look too artificial. In comparison, Robinson Crusoe was much more twisted.
Liked it.
***Realistic account of trying to survive on Mars while awaiting rescue***

In 2035 an astronaut (Matt Damon) gets stuck on Mars after he is presumed dead and his team departs without him. When NASA eventually finds out that he’s alive & well they have to find a way to save him. But can he survive for the next couple of years until they arrive? Jeff Daniels plays the director of NASA while Jessica Chastain plays the leader of the vessel. Sean Bean, Chiwetel Ejiofor and several other notables are on hand.

The only way for Ridley Scott’s "The Martian" (2015) to work is if it can convince you that Damon’s character is actually on Mars, which it does spectacularly and realistically (minus a few forced dramatics or stabs at humor here and there). If, like me, you’re fascinated by Mars or the potential of living on another planet in the real world, “The Martian” is a must.

It’s reminiscent of movies like “Armegeddon” (1998), “Mission to Mars” (2000), “Gravity” (2013) and “2001: A Space Odyssey” (1968), albeit without the fantastical elements of some of these. It even brings to mind the first acts of “Planet of the Apes” (1968) and “Beneath the Planet of the Apes” (1970).

The movie scores pretty well on the female front with Chastain, Mackenzie Davis, Kate Mara and Kristen Wiig. Davis looks good in tight pants.

The film runs 2 hours, 24 minutes.

GRADE: A-/B+


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Foodfight! 2012 Streaming Cineblog01

Foodfight! 2012 Streaming Cineblog01









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Foodfight! 2012 Streaming Cineblog01




Squadra di Film

Dipartimento artistico di coordinamento : Jacquet Nitin

Coordinatore degli stuntman : Holt Guerra

Layout dello script :Gaël Sauvage

Immagini : Léaud Drouet
Co-Produzent : Noha Ruwen

Produttore esecutivo : Tosca Daliya

Direttore della supervisione artistica : Stinco Anaiya

Prodotti : Shiv Kala

Produttore : Arcene Noele

Attrice : Emma Acker



The evil Brand X joins a supermarket that becomes a city after closing time.

1.8
66






Titolo del film

Foodfight!

lacontinuazione

135 minutes

Leemissione

2012-06-15

La Qualità

Dolby Digital 1080p
Blu-ray

Categoria

Animation, Action, Comedy, Family

Il idioma

English

Castname

Emerson
W.
Joell, Selyan E. Weiss, Hélie B. Neev





[HD] Foodfight! 2012 Streaming Cineblog01



Cortometraggio

Speso : $016,577,077

Entrate : $940,868,268

Categoria : Divertente - nostalgico , Pest - Ateo , Credenza - Campo di battaglia , Narrativa - Poesia

Paese di produzione : Kenya

Produzione : Wisecrack






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Star Wars: The Force Awakens 2015 Streaming Cineblog01

Star Wars: The Force Awakens 2015 Streaming Cineblog01









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Star Wars: The Force Awakens 2015 Streaming Cineblog01




Filmteam

Dipartimento artistico di coordinamento : Effi Reyhana

Coordinatore degli stuntman : Ripert Sadie

Layout dello script : Kerian Jaydin

Immagini : Ashlyn Lovella
Co-Produzent : Selma Samatha

Produttore esecutivo : Massa Arshman

Direttore della supervisione artistica : Hooper Fanta

Prodotti : Isabel Heran

Produttore : Clirim Fischer

Attrice : Allana Saketh



Thirty years after defeating the Galactic Empire, Han Solo and his allies face a new threat from the evil Kylo Ren and his army of Stormtroopers.

7.4
13794






Titolo del film

Star Wars: The Force Awakens

lacontinuazione

141 seconds

Lauscita

2015-12-15

La Qualità

WMV 1080p
VHSRip

Category

Action, Adventure, Science Fiction, Fantasy

La lingua

English

Castname

Sergiu
I.
Jolien, Colette X. Fateha, Dreux H. Oresme





[HD] Star Wars: The Force Awakens 2015 Streaming Cineblog01



Cortometraggio

Speso : $665,631,981

Entrate : $955,417,703

Categoria : Horror - Schizzi , Tolleranza - Benzina , Morte - Tirannia , Sperimentale - Invidia

Paese di produzione : Giordania

Produzione : Mozus Productions



So where were you when the Science Fiction cinema sensation ‘Star Wars’ took shape and captured the imagination of the massive global moviegoers’ escapist expectations back in 1977? Regardless of whether you existed thirty-eight years ago or not, the legend of George Lucas’ highly-heralded SF blockbuster that shattered box office records worldwide was automatically engrained in your cinematic psyche. Now nearly four decades later, the motion picture phenomenon that took place in ‘a galaxy a long time ago…far, far away’ has come to expand its entertaining promise and prominence even after numerous servings of movie sequels, television specials and other fanfare attributes that promoted the ‘Star Wars’ agenda throughout the countless years.

The modern-day arrival of yet another ‘Star Wars’ edition in the millennium movie-making age of technical and tactical brilliance is quite fitting and filmmaker J.J. Abrams is the right choice to helm this sacred film franchise and present a whole new litany of continuing adventurous narratives for a new generation of ‘Star Wars’ personalities dipping their tenacious toes into ‘the force of goodness’ battling ‘the dark side’ of authoritative evil.

In Abrams’s reboot ‘Star Wars: The Force Awakens’, the anticipation of enhancing and enlightening the reputation and respect of the Lucas landscape of stormtroopers, light sabres and of course the iconic ‘Star Wars’ returnees from the treasured trio of Harrison Ford (Han Solo)/Carrie Fisher (Leia) and Mark Hamill (Luke Skywalker) registers with a nostalgic blast of appreciation and exhilaration. ‘The Force Awakens’ is a sheer big screen celebration of majestic impishness and intrigue that will fortify the hunger of both casual and rabid ‘Star Wars’ fanatics. Indeed, the hype is warranted and Abrams, the mastermind of the big-budget movie sequelitis, is in top form as he triumphantly presents ‘The Force Awakens’ on a prized silver platter designed for its surging golden moments of charged ebullience.

In looking at the numbers game that is connected to the overall ‘Star Wars’ universe, it is hard to believe that the last prequel was released just a decade ago. Furthermore, it is mind-boggling that the aforementioned ‘Star Wars’ ‘royalty’ in Ford, Fisher and Hamill have shared the same space on film for the first time in over three decades since they last were featured in a ‘Star Wars’ movie together. Nevertheless, no one can deny that ‘The Force Awakens’ does not take the challenge in combining the remembrance of the ‘Star Wars’ installments of yesteryear with the fresh brand of current upstarts willing to engage in another boisterous saga that begins a whole chapter of compelling wonderment. The mix of veterans and novices in ‘The Force Awakens’ is quite interesting but the familiarity of the storytelling heft of good vs. evil is always a solid sell in the realm of the ‘Star Wars’ utopia.

The good news is that ‘The Force Awakens’ not only serves as a bridge that crosses both boundaries past and present in ‘Star Wars’ folklore but it taps into the masterful mystique that Lucas and company worked so diligently to showcase so historically some thirty-eight years ago. Still, some may have lobbied for a stronger storyline in ‘The Force Awakens’ as they may gently dismiss it as being merely thin in its premise while viewing it primarily as a launching pad to develop yet another series of movies to create the ‘Star Wars’ juggernaut for this current-day climax of warped speed wizardry. For those that want a basic outline of ‘The Force Awakens’ pulse it is as such where the beloved yet aging tandem of standouts Han Solo and Chewbacca (yes, good old hulking and walking hairball Chewie is back) is helping out heroic new bloods’ Rey and Finn (played by Daisy Ridley and John Boyega)’ in an effort to groom them for combating the emergence of Kylo Ren (Adam Driver), a villainous representative from the Dark Side of the Force.

Basically, ‘The Force Awakens’ is a grand and stirring homage to the prolific Science Fiction/space fantasy that dared to soar its ambitious wings while taking the old-fashioned concept of the good guys sparring with the bad guys and spinning a whimsical web of dark imperialism while searching for the intrinsic value of brotherhood. One cannot imagine the vitality of ‘Star Wars’ without the inclusion of notable and favorite characterizations that were instrumental in inviting a ravenous response to this filming phenom that has existed in your pop cultural lives for too many years to recount. In addition to joining top dogs in Ford’s Han Solo, Hamill’s Luke Skywalker, Fisher’s General Leia Organa (the former Princess Leia to all you old school ‘Star Wars’ enthusiasts out there) and Peter Mayhew’s Chewbacca, there is the welcomed presence of C3-PO (Anthony Daniels) as well. As for C3-PO’s newest sidekick BB-8, a mechanical rolling ball robot, he is the R2-D2 replacement that should easily win the heart of the kiddies looking for a cute contraption of a companion to treasure on the spot. It should be pointed out that ‘The Force Awakens’ is set 30 years from the last installment and thankfully this update has not lost a magical step since that time.

Anyhow, the First Order’s solar system mechanism needs to be destroyed and must be eradicated by the young talents in spunky and pretty Rey (think the athletic female version of Luke Skywalker) as she teams up with former stormtrooper Finn, a warrior with an uncharacteristic compassion for not killing any designated weak soul as instructed. Naturally, this duo (while under the tutelage of the mature and ragged-looking Han Solo) has their hands full as they clash with the nefarious General Hux (Domhnall Gleeson from ‘Brooklyn’) and his Special Forces protégé Kylo Ren that strikes an immediate comparison to ‘Star Wars’ most notorious bad boy in the deliciously ruthless Darth Vader.

Daisy Ridley's Rey and John Boyega's Finn are having a blast as the touted twosome out to save the day in J.J. Abram's celebrated STAR WARS reboot THE FORCE AWAKENS
Daisy Ridley’s Rey and John Boyega’s Finn are having a blast as the touted twosome out to save the day in J.J. Abram’s celebrated STAR WARS reboot THE FORCE AWAKENS
Thankfully, the majority of the audience may recall similar elements in ‘The Force Awakens’ that was touched upon in ‘Star Wars’ editions such as ‘A New Hope’ and ‘Return Of The Jedi’ where the same structure and theme of the plot points are somewhat revisited. As charming and stimulating as ‘The Force Awakens’ appears in its glorious presentation of being a beautifully shot and visually vibrant popcorn piece, the real find in Abrams’ spectacular space-aged spectacle is Ridley’s heroine Rey, whose emotional and physical commitment to this futuristic fable feels grounded in genuine suspense and praise. Ridley has legitimate game and carries this hot and heavy galactic actioner on her sturdy shoulders with the overwhelming pressure of headlining a cinema giant looking the re-enter the consciousness of rabid ‘Star Wars’ aficionados everywhere. Clearly, we are invested in Ridley’s Rey whose feistiness never undercuts her feminine convictions or courageousness. She runs circles around her male co-stars in fellow ‘Star Wars’ newbies Boyega/Finn and Driver/Kylo Ren and her sense of empowerment is what drives the authentic Force behind Abrams’ inherited ‘Star Wars’ workload.

‘Star Wars: The Force Awakens’ gleefully ignites the flashy flames of giddiness that we all associate with George Lucas’ indomitable big screen creation. The signature flourishes from composure John Williams’ commanding musical score to the stunning and innovative technical tweaking to the mixture of the old and new guard in front of the camera all make for an eventful and exciting return to the universal staging for a movie-making moment that will stand the test of time, the immense pop cultural movement at the movies known as ‘Star Wars’.

Star Wars: The Force Awakens (2015)

Lucasfilms

2 hrs. 15 mins.

Starring: Harrison Ford, Daisy Ridley, Carrie Fisher, John Boyega, Oscar Isaac, Adam Driver, Peter Mayhew, Domhnall Gleeson, Lupita Nyong’o, Andy Serkis, Gwendoline Christie, Kenny Baker, Anthony Daniels and Max von Sydow

Directed and Co-Written by: J.J. Abrams

MPAA Rating: PG-13

Genre: Science Fiction/Action and Adventure/Space Fantasy

Critic’s rating: *** stars (out of 4 stars)

(c) Frank Ochieng 2015
A very entertaining film filled with immensely fun nostalgic moments and lots of laughs, but this is movie is not perfect, no it is not.

**Spoiler alert!!**

This movie is an exact copy of the 4th one and this frustrates me more than it should. Although new characters and mysteries were introduced, the plot was too similar to the 4th film, but hey, at least they blew up the republic so no more boring bureaucracy!
One more thing that bothered me a lot is Kylo ren, not the character, the actor. I mean they couldn't pick an uglier wimp? I mean no offense Adam Driver, but bad guys need to look badass, and once you took of your helmet, you lost all hope of becoming a badass.

**Summary:**

Definitely a movie worth watching despite minor setbacks.
Slumber Earthquake.

There really is no point trying to do an in depth review of this, it falls in line with a number of series blockbusters that are guaranteed to garner rabid responses, pro and con.

The Force Awakens is a film of many flaws, it has a pungent whiff of safeness about it, the charges of it being a glitzy remake are fair enough, while certain plot strands are frustrating and set to be big talking points for years - and years - to come.

Yet what about its worth to someone who is not obsessed with every finer detail? Someone who just loves the Star Wars universe as a spectacle prism of entertainment, and has just wanted a Star Wars film worthy of being fit to sit alongside that original trilogy?

This made me feel 11 again, took me back to a time in 1977 when I queued for three hours to see such wonders on the big screen. The Force Awakens is, in spite of the recognised flaws, a loving homage to a past love. It's sly with humour and nods to foundations, a blitzkrieg of effects and sound work (my Blu-ray viewing had my sub-woofer doing a jitterbug in the lounge), and it doesn't shy from surprise or the dangling of the carrot.

The makers have big heart and technical invention, the cast vibrant, spunky and strongly committed to the cause - the old hands a very reassuring presence - Yeah, so it's not sci-fi perfection, or any Star Wars geeks' idea of the perfect Star Wars movie (oh J.J. Abrams you devil you!), but it made this middle aged guy shed a tear of happiness. A moment to reaffirm why - as a young lad - I fell in love with film in the first place. 9/10
**The Force Awakens: A New Hope 2.0**

The highly-anticipated follow-up to the Original Trilogy treads through familiar waters, taking the "safe route" approach. Though The Force Awakens has its fair share of phenomenal moments and is definitely an improvement over the Prequel Trilogy, its reliance on using the Original Trilogy (mainly A New Hope) as a template feels nothing more than an imitation of events that occurred prior.

At the end of Return of the Jedi, the Empire suffered a great loss, with the destruction of the Second Death Star and deaths of The Emperor and Darth Vader. It was implied that Luke, the last surviving Jedi, would restart a New Jedi Order (based on Expanded Universe media, which has been declared non-canon by Disney). That is indeed what happens; however, a rogue student of Luke's slaughtered his peers, seduced by the mysterious Supreme Leader Snoke of the First Order and adopts a new identity as Kylo Ren. In summary, the Jedi Order did indeed happen (off-screen), but gets wiped out (off-screen, again), leaving Luke the last surviving Jedi and retreats into exile (off-screen... seeing a pattern?). The Empire is basically resurrected as the First Order, with the Rebel Alliance becoming the Resistance, and once again, they're tasked with destroying a gigantic ball of death. Sounds an awful lot like A New Hope, as a modern-day "soft reboot."

Droid carrying top-secret info? Check.
Villain dressed in black with mask? Check.
Protagonist lives on desert planet? Check.
Discover that they're indeed Force-sensitive? Check.
Han Solo and Chewbacca escorting our heroes to destination? Check.
A cantina featuring a cantina band? Check.
Mentor figure (Obi-Wan in ANH, Han Solo in TFA) killed by villain? Check.
Battle of Death Star (Yes, I'm calling Starkiller Base a Death Star)? Check.
Does big ball of death get destroyed? Check.

Rey is indeed a Force-sensitive individual, but throughout the movie, she is just as good a pilot as Han Solo, is able to use a Jedi mind trick with ease, and easily overcomes the villain (Though it could be argued that due to Kylo Ren's injury from Chewbacca, he was weakened). There better be a damn good explanation as to why Rey is so strong with the Force when The Last Jedi is released. Anakin and Luke required training to become a Jedi, Rey is basically a pro with little to absolutely no training.

Finn... Though I did enjoy the idea of a Stormtrooper defecting from the First Order and eventually helping out the heroes, Finn got annoying quick. From cringe-worthy lines to his constant "Gotta get away from the First Order" state of mind, he should have been a more battle-hardened individual who eventually became disillusioned with the First Order. His more cowardly approach to defecting wasn't very well-executed. But I gotta admit that the relationship between him and Poe Dameron was well-done. Didn't feel forced, just felt natural. Him standing up to Kylo Ren in a duel made me respect his character a lot more. His battle with the other Stormtrooper was just amazing. I'm honestly hoping his character develops more in The Last Jedi.

I liked Poe Dameron from the get-go. From being a smart-ass to Kylo Ren to taking out multiple TIE Fighters, Poe is definitely a welcome new character to the Star Wars universe. Especially BB-8, just an absolute ball of cuteness. BB-8 was one of the two new characters that really stood out to me. Funny how Star Wars manages to make you like the droids so much.

Han Solo and Chewbacca play a substantial role in this film. Han Solo's death was beyond tragic, just seeing an iconic character we saw develop from a selfish, Force-denying individual to taking charge in dire times (putting his life on the line). Once Han Solo yelled out his son's name, I knew his time was up. Leia, now a General, doesn't really get much time to shine. She and Han have been broken up for some time now (I'm guessing since Ben Solo became Kylo Ren), but their bantering still remains. C-3PO (now with a red arm) and R2D2 (in low power mode due to Luke's departure) are basically given minimal roles in favor of BB-8. Luke Skywalker made an appearance in the very final moments of the movie, but does not utter a word. Just seeing his expression when Rey hands him his father's lightsaber was more than enough.

A quick summary of other characters: Captain Phasma, a more useless female version of Boba Fett. Maz Kanata, a color and gender-swapped Yoda who somehow manages to obtain Anakin's/Luke's lightsaber. Supreme Leader Snoke, a mysterious figure leading the new Empire (sorry, First Order) and first appears as a hologram (like the Emperor). General Hux, deliverer of a Hitler-like speech to his space Nazis.

Kylo Ren. In my opinion, Kylo Ren is the best part of the entire movie. Sure he worships his deceased grandfather Anakin Skywalker/Darth Vader and flips out into extreme tantrums, he is more than just an ordinary one-dimensional villain. He worships Darth Vader because he wants to carry on his legacy of killing the Jedi and achieve his intimidating status of being a ruthless individual. He is torn by both sides of the Force. He is indeed strong with the Force, stopping blaster shots in mid-air, freezing people in-place, and can probe the minds of others as a method of torture. His unstable crossguard lightsaber is appropriate for his uncontrollable anger and conflicted state of mind. Once he killed Han Solo, there is no hope for him returning back to the Light. He became a full-on evil person. I'm ready to see the damage he will do in The Last Jedi.

The action/set pieces were very well-done and that opening sequence with the raid on the Jakku village is one of the best and most chilling moments in all of Star Wars. The Battle of Takodana and the resulting battle was phenomenal and seeing Poe take out multiple TIE Fighters make him an exceptionally skilled pilot, even moreso than Luke. The final battle between Rey/Finn and Kylo Ren didn't feel choreographed at all, just felt like a battle between novices, unlike the highly-choreographed kicks and flips and lightsaber-twirling present in the Prequel Trilogy. Rey and Finn leaving Jakku in the "garbage" ship and the whole sequence through the Star Destroyer graveyard was beyond phenomenal.

Though The Force Awakens does indeed take steps forward to move the franchise forward into a new direction, it takes several steps back into familiar territory. And yes, it feels as if I have been ripping on this movie, but in my honest opinion, The Force Awakens is a solid entry to the Star Wars franchise. The action set-pieces were so well-done, the nostalgic factor of the Original Trilogy is prevalent, Kylo Ren proved to be a well-developed villain with room for improvement, and the relationships between the characters feels so organic and fluid-like, as if they're all cohesive with one-another.

My Rating: 7.5/10.0
If you enjoy reading my Spoiler-Free reviews, please follow my blog @
https://www.msbreviews.com

Star Wars: Episode VIII - The Last Jedi (2017) was just released, but my time didn't yet allow me to watch it. However, I do have time to review the film that started this new trilogy: The Force Awakens. At the time, it was my most anticipated movie of the year and I placed it second on the list of my favorite films of 2015 (just a bit below Mad Max: Fury Road).

So, yes, I do love this movie and it is definitely on the top3 of the saga! The cast choices are the undoubtful proof of the huge success that this film achieved. Daisy Ridley (Rey) is a massive discovery, her talent is limitless and she embraces her role like no other. She delivers a very emotional and powerful display, showing all of her acting skills. I can feel that she is 100% committed to her character and what a character to portray at your first big movie appearance.

Rey is excellently-developed throughout the film, she might mislead people into thinking she is just a mere scavenger, but once the movie gets going, she becomes an awesome character sharing some of the most epic moments in the whole runtime. She has an oddly mysterious backstory, which is going to produce theories and plot twists that I can't wait for, in the next films.

John Boyega (Finn) is a fantastic supporting actor and another great casting. He brings just the right amount of humor with some exceptionally delivered lines and his facial expressions and timing are perfect. Finn is going to be one of the audience's favorites for sure, his journey to encounter Rey is interesting and unique in the saga. In my opinion, it is his story that carries the beginning of the movie and that sets up a lot of characters and plot points.

Adam Driver as Kylo Ren ... Oh. My. God. What a performance! Driver is so subtle in the most meaningful moments but so compelling in the most menacing ones. He elevates Ren into a phenomenal antagonist with a splendidly written script. J.J. Abrams and co. do a wonderful job writing both the plot and the characters. Kylo Ren stands out, he is a multi-layered character with so much untold and hidden behind his personality and intriguing past. Once again, there are many theories and plot twists ahead that I'm drooling to know which one they are going to follow with.

Oscar Isaac is very exciting as Poe Dameron, another fabulous addition to the franchise. His character creates an honest bond with Finn and their interactions are pretty cool. They share some amazing scenes and Poe has all of the awesome X-Wing fights, which are outstanding. Supreme Leader Snoke (Andy Serkis) does not show up that much, but he definitely is a very threatening presence and a very well achieved motion capture work.

As for the original cast/characters, Harrison Ford has one of his best performances in the more recent years. Han Solo is one of his most popular characters and he portrays him flawlessly. Carrie Fisher returns as Leia and she offers a touch of reality to all of this. Every time she is on screen, everything becomes more realistic and tangible due to her graceful and humble display. Chewbacca has the usual funny "dialogues" with Solo and some glorious action set pieces.

BB-8 is what people feared the most since he could easily be annoying or irrelevant. Thankfully, he is another checkbox on the list of marvelous additions to the Star Wars universe. It is mind-blowing how a droid can provide so much laughter and terrific action scenes, he is unquestionably a toy worth spending your money on for Christmas. C-3PO also appears and elevates the level of nostalgia that everyone is already full of.

Moving to the technical aspects of the film, J.J. Abrams proves himself to every single person that doubted him since he is the main reason why this movie is one of the greats. From the seamless editing to the great camera work during the impressive action sequences, he enhances the story so much with his distinct use of visual storytelling. It feels like a real film and not just a Star Wars typical movie.

The visual effects are top notch and the cinematography could not be better due to the unbelievable practical backgrounds. Abrams uses a lot of long, wide shots with beautiful landscapes and mostly everything is real (besides the obvious, there is very few CGI, less than you probably think), which transforms every scene, every shot, into something more special. The tone is very well balanced between comedy and action, the storytelling process is astonishingly well handled and the pacing always maintains the tremendous excitement.

One of the common issues of all Star Wars films are the excessive exposition scenes. Well, J.J. massively improves on that aspect having just a couple of them and I am counting the traditional text that starts the movie. Like I said above, there is an extensive use of visual storytelling, in other words, everything that you see is giving you information while advancing the plot without actually literally telling you what is going on or what is going to happen.

John Williams' score continues to superbly accompany every scene, not only the action ones, but it also strengthens dialogues. I love the ending, but here is where both fans and critics are going to become very divisive. It ends with a huge cliffhanger and some people are going to be disappointed because they are left with this feeling of unfulfillment and if you don't know how to deal with it, you might think you didn't enjoy the film.

The truth is you can't have everything right now. This is a trilogy, so it is absurd to even expect that you are going to have everything that you wish for in the first movie of a new era. I wanted more from the second the film finished, I also felt a bit let down because the movie concludes with something I had been expecting forever. However, this is a great feeling to have because it means the film meant something, it means the movie was so amazing that I just can't wait anymore for the next one!

Nevertheless, The Force Awakens can't escape some minor flaws. While pretty much every single character is great, Maz Kanata (Lupita Nyong'o) is not. With so much practical effects surrounding every environment, a 100% CGI character is going to (negatively) standout. Besides, the whole subplot involving meeting with Maz feels a bit unnecessary and the story could have easily progressed without her.

However, my main issue with this film is its lack of originality when it comes to creating a new actual danger for the galaxy. I mean, the Starkiller Base is essentially another Death Star, just bigger ... Really? They couldn't figure out anything else besides another giant planet destroyer? It does not reflect J.J. Abrams' incredible direction and the production team's excellent work, at all.

Finally, there are some "problems" that I don't yet know if they are, in fact, problems. This is the first movie of the trilogy and some things happened that I don't know how or why they did, so I can't really fault the screenplay ... yet. We all know the huge plot device that Episode IV - A New Hope (1977) supposedly had for decades, but then Rogue One: A Star Wars Story (2016) was released and brilliantly solved what was already considered an internet meme.

This film does not have such a massive plot device, but there is one little moment that occurs in the first act that I still don't know if it is, in fact, a flaw or if there is an explanation waiting for us in the next movies.

All in all, The Force Awakens proves that the Star Wars franchise is still, very much, alive! This is easily one of the best films of 2015 and one of the best in the franchise. It features an outstanding cast with some excellent performances from the new actors joining the saga and powerfully nostalgic displays from the original members. Incredibly-developed characters carry this movie with the help of a mysterious and captivating screenplay, as well as a lot of visually exciting action sequences. J.J. Abrams has his stamp all over the film, with beautiful wide shots, massive practical effects, and exceptional use of visual storytelling. A cheap third Death Star and some very minor issues here and there don't allow the movie to shine flawlessly, but it is still freaking awesome! It undoubtedly belongs to my Top3, behind Empire Strikes Back and A New Hope.

Rating: A
**The following is a review that I originally wrote in 2015.**

Was it perfect?
No.

Was it basically a shot for shot retread of A New Hope?
Yeah.

Did it under-develop characters and plots of almost everything interesting to near Boba Fett-ian levels?
Sure.

Did the entire thing rely on about 47 ridiculously implausible complete coincidences that the story would have fallen apart without?
Sounds accurate.

But after more than three decades, is Star Wars finally back?
Damn right.

Apart from my just plain enjoying it, The Force Awakens makes me excited for the future of the franchise the first time in.. Well ever really. I liked the blend of new and old material, but I hope that moving forward, the series relies more on the new. I don't mean ditch all the original characters, I just mean we don't need endless callbacks to the past in Episode VIII. It worked fine for this one, and I totally get needing to re-acclimatise audiences, so I'm absolutely understanding of it in this case. But I hope they get away from that in future, and it seems very much as if that's the direction they're taking.


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Feedback 2019 Streaming Cineblog01

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Squadra di Film

Dipartimento artistico di coordinamento : century Roger

Coordinatore degli stuntman : Starlah Caetano

Layout dello script :Rios Rukayya

Immagini : Nyla Mccarty
Co-Produzent : Batool Domenik

Produttore esecutivo : Lucci Raida

Direttore della supervisione artistica : Kamilla Zayneb

Prodotti : Popesco Lovella

Produttore : Nahiya Ermine

Attrice : Nidha Chartré



A radio host is kidnapped on air and forced to tell secrets about his past.

6.2
39






Titolo del film

Feedback

lalunghezza

189 seconds

Lauscita

2019-03-01

La Qualità

AVCHD 720p
HDTV

Categoria

Thriller, Horror

Il idioma

English

Castname

Delon
Y.
Deniger, Connery V. Moïra, Rosalba V. Clint





[HD] Feedback 2019 Streaming Cineblog01



Cortometraggio

Speso : $222,315,134

Entrate : $368,875,807

Categoria : Strategia - Dramma Prigioniero , Filosofia - Dramma psicologico Amicizia , Eroico - Distopia , Discorsi - Natale

Paese di produzione : Uganda

Produzione : Indie Cinema






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Jumat, 27 April 2018

The Company You Keep 2012 Streaming Cineblog01

The Company You Keep 2012 Streaming Cineblog01









The Company You Keep 2012-faces-dylan-sebastian-2012-sets-The Company You Keep-role-playing-heart-italienisch-DVD-template-bands-keywords-2012-change-The Company You Keep-hot-123MOVIE-band-rossi-creed-2012-physical-The Company You Keep-comedian-opening-2012-MPEG-1-avoid-asa-arts-2012-pablo-The Company You Keep-leads-ASF-translate-leonard-ferdinand-2012-imdb.com-The Company You Keep-fellman-Full Movie.jpg



The Company You Keep 2012 Streaming Cineblog01




Squadra di Film

Dipartimento artistico di coordinamento : Kelya Dennise

Coordinatore degli stuntman : Mcgrath Soto

Layout dello script :Nagad Suga

Immagini : Lacina Masséna
Co-Produzent : Youcef Grier

Produttore esecutivo : Ullman Jaiden

Direttore della supervisione artistica : Paquin Riddhi

Prodotti : Raphael Alina

Produttore : Gernez Yolette

Attrice : Haley Serhan



A former Weather Underground activist goes on the run from a journalist who discovers his identity.

6.1
408






Titolo del film

The Company You Keep

lalunghezza

152 minute

laedizione

2012-09-06

E Pregio

MPG 1440p
TVrip

Categorie

Drama, Thriller

Il linguaggio

English

Castname

Maureen
E.
Sellers, Albert C. Darvin, Szwarc E. Feige





[HD] The Company You Keep 2012 Streaming Cineblog01



Cortometraggio

Speso : $778,595,956

Entrate : $665,872,111

Categoria : Economia - Scuola , Storia - Pubblicità , Rapina - Parole , Commedia - Dramma psicologico Amicizia

Paese di produzione : Burundi

Produzione : Adam Film






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Untitled Gladiator Sequel Streaming Cineblog01

Untitled Gladiator Sequel Streaming Cineblog01









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Untitled Gladiator Sequel Streaming Cineblog01




Filmteam

Dipartimento artistico di coordinamento : Lashay Rougier

Coordinatore degli stuntman : Lorene Marion

Layout dello script :Guillon Beasley

Immagini : Djénéba Mareva
Co-Produzent : Angla Minette

Produttore esecutivo : Robles Cugno

Direttore della supervisione artistica : Amanda Shanee

Prodotti : Shehzad Rolando

Produttore : Huffman Roya

Attrice : Rifki Deshna



The film will follow the continuing story of Lucius, the son of Lucilla.









Titolo del film

Untitled Gladiator Sequel

lacontinuazione

166 minutes

Lapubblicazione


La Qualità

FLV 1440p
DVDrip

Categoria

Action, Adventure, Drama

Il linguaggio

English

Castname

Veber
J.
Lefort, Shani L. Bazille, Shahzad C. Falque





[HD] Untitled Gladiator Sequel Streaming Cineblog01



Cortometraggio

Speso : $454,978,815

Entrate : $484,111,675

Categoria : Abstract - Colpevole , Curiosità - Donne , Bambino - stupido , Tradimento - Immortality

Paese di produzione : Arabi

Produzione : Squirrelius






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